Molly Hatch, After Chinese Design, USA, 2013

Molly Hatch, After Chinese Design, USA, 2013
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Molly Hatch, After Chinese Design, USA, 2013

The body of work this vase belongs to encompasses cube vases that use negative space to render the forms of the vases that inspire the surface decoration.  Each vase is hand-built and hand-painted. The surface pattern for this vases was sourced from examples of Chinese ornament found in “The Grammar of Ornament” by Owen Jones, the English architect who is considered to be one of the most influential design theorists of the nineteenth century.

Hatch’s work has been widely collected, commissioned, and exhibited at art fairs nationally and internationally. In 2013, Hatch had a solo museum exhibition at the Philadelphia Art Alliance and was included in New Blue and White, a contemporary decorative arts exhibition at the Museum of Fine Arts in Boston. In the spring of 2014, Physic Garden, a monumental 456-plate work, was installed at the High Museum of Art in Atlanta. In 2015, Chronicle Books of San Francisco published a book of her work. In 2016, the Clayarch Gimhae Museum in Korea exhibited a selection of wall installations by the artist.

Dimensions: 12″ H x 9.25″ W x 4.5″ D

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