Stefan Rurak, Screen Triptych, USA, 2019
Stefan Rurak’s Screen Triptych typifies his unique approach to design, blurring distinction between art and design, into a literal representation. The screen’s panels are created from flat planes of hand-patinated steel. The smooth surface of the steel reads as moody takes on color field painting, with areas populated with splashes and stains before being finished with oil and buffed wax. Applied pigmented concrete is built up to create texture somewhere between collage and assemblage. The back of the screen reveals deep grey mirrors.
Brooklyn-based Stefan Rurak’s furniture defies conventional boundaries – merging fine art aesthetics, modern conceptual design, and traditional, hand-made craftsmanship techniques. His evocative, one-of-a-kind works are the type of collectible pieces built to span generations. Working with a variety of materials – wood, cast concrete, and steel – Rurak draws no distinction between art and design. His describes his work as sculpture that just happen to be functional – the utilitarian becoming a canvas for the aesthetic endeavor. The fascia of each piece conveys movement, action, and intuition, providing a stark counterpoint to the meticulous construction and composition of the functional skeleton underneath.
Rurak’s unique aesthetic and process stems from a diverse range of media, ranging from things as conventional as drawing and painting to performance art. “The work is largely process oriented, he states, “Increasingly I became aware that the mediums I was drawn to, such as silkscreen printing and film photography were really a pursuit of a craft that relied on a skillset as well as a system of tools.”
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