Andrea Marquis, Divination Scrying Table I, USA, 2026

Andrea Marquis, Divination Scrying Table I, USA, 2026
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Andrea Marquis, Divination Scrying Table I, USA, 2026

Ceramicist Andrea Marquis’ Divination Scrying Table extends her exploration of furniture design into more mystical territory. Each cylindrical table, hand-built and carved ceramic is covered in a carved fig-leaf motif, a familiar subject in Marquis’ work, drawn from the shadows of plants in her own garden. Here the motif is cloaked in a black and copper aventurine glaze that comes alive and sparkles in the light. The works belong to Marquis’ broader exploration of speculative craft, which reframes the hierarchies of decoration by treating ornament as a source of meaning rather than a secondary embellishment. Over more than a decade, Marquis has developed a distinctive process rooted in translating ephemeral phenomena—such as shadows, reflections, and traces—into tangible ceramic forms. Often beginning with traced drawings of plant shadows from her own garden, she builds a personal visual lexicon that informs her compositions. Each stool features intricate engravings inspired by her art historical research into Chinoiserie, Chinese and Persian motifs, reflecting both visual richness and cultural inquiry.

Represented by Todd Merrill Studio, Marquis is widely recognized for pushing both visual and technical boundaries in ceramics. Her practice challenges conventional distinctions between decoration and structure, utility and abstraction. Over more than a decade, she has developed a distinctive process rooted in translating ephemeral phenomena—such as shadows, reflections, and traces—into tangible clay forms. Often beginning with traced drawings of plant shadows from her own garden, she builds a personal visual lexicon that informs her compositions.

These drawings are layered, manipulated, and reconfigured into intricate, often symmetrical arrangements reminiscent of Rorschach patterns. Through a process that blends architectural thinking with intuitive experimentation, Marquis transforms thick slabs of clay into forms that feel both delicate and structurally robust. Her precise reductive carving is balanced by the fluidity of loosely applied glazes, softening edges and introducing movement.

While grounded in a clear conceptual framework, Marquis’ work ultimately invites open interpretation, encouraging viewers to engage with its shifting boundaries between function, decoration, and sculpture.

Hand-built and Carved Stoneware with Glaze

10.5 top diameter x 24.5h x 11.5 bottom diameter in.
26.67 cm top diameter x 62.23 cm h x 29.21 cm bottom diameter

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Todd Merrill Studio
80 Lafayette Street
New York NY 10013
Phone: 212 673 0531
Website: www.ToddMerrillStudio.com
E-mail: info@ToddMerrillStudio.com
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Todd Merrill Summer Studio
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Southampton, NY 11968
Phone: 631 259 3601