John Procario, Luminaire IV, USA, 2018
John Procario’s exploration of scaled-down table top works, titled Luminaires, take on a new dimension with Luminaire IV.
“I would describe my work as having a heartbeat,” says John Procario of his custom-made bent-wood luminaires. “Each one has so much personality and as you move around them, the forms look like they are changing.” It’s not surprising for Procario to anthropomorphize his work; it’s something the Cold Spring native has been doing since studying sculpture at State University of New York at Purchase, where he began to conceptually think of wood as a metaphor for the human body. “Just as we push the limits of our bones and muscles, I enjoy pushing the limits of wood to create a sense of strain in the material’s gesture,” he explains. Procario pushes the limit of breakage to create a sense of strain in the otherwise fluid gestures of his wooden works. Conceptually, this allows beauty to be the product of stress.
Todd Merrill Studio has represented artist/designer John Procario since 2016. Having grown up around his carpenter father’s workshop, Procario brought his love of woodworking to the world of design. After studying sculpture in graduate school, Procario developed a unique aesthetic that influences his sculptural furniture and lighting.
Procario’s sculptural lighting is composed of micro-laminated, cold-pressed bent wood. Procario begins his process by twisting ribbons of paper to explore potential designs. However, rather than using these models to control the wood’s shape, he allows the wood to form the shape it pleases. In this way, the artistic process becomes a collaboration between the artist and the wood’s respective personalities. The outcome is an organic, fluid design balanced with a sense of motion.
In this way, the artistic process becomes a collaboration between the artist and the wood’s respective personalities. The outcome is an organic, fluid design balanced with a sense of motion.
Material: Bleached ash
Dimensions: 17.50h x 44w x 25d inches
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